Home - Polish Cultural Institute. BEATS OF FREEDOMor how to overthrow a totalitarian regime with home- made amplifier. Beats of Freedom is a story about Polish rock music and independence. Narrated by a well known British writer and journalist, Chris Salewicz, this documentary film is a journey through three decades of Polish rock. Chris meets with legends of the Polish music scene and shows us unique footage of their first concerts as well as archives of Polish history under communism. This is a film about the music that not only brought literal "beats of freedom" to the people, but that was one domain of Polish cultural life that had a little more independence. The Iron Curtain was not as impermeable as it may have seemed; western music was available in Poland; and sometimes even big stars visited the country, the outstanding example being The Rolling Stones' visit in April 1. Those two legendary concerts had a huge impact on Polish rock music. Both took place in Warsaw's Congress Hall, located in The Palace of Culture and Science - a gift from Soviet Union to the people of Poland. Paradoxically, this hated symbol of communist power became an important testimony to the history of Polish rock'n'roll. The film's narration makes it an interesting and entertaining documentary. Chris Salewicz meets Tomek Lipinski (lead singer of the bands Tilt and Brygada Kryzys), Piotr Naglowski (manager and journalist), and Mirek Makowski (photographer and historian). Their stories are not only about the meaning of the music, but also about Polish life under the communist regime. Sometimes those stories are heart breaking, and sometimes they tell of undying hope. Beats Of Freedom FilmBeats of Freedom. This event occurred on Saturday, May 20th, 2017 @ 7:00 pm – 9:00 pm All Star Lanes Past dates. Sat, May 20. Liberty Beats: Internet Freedom. By Sam Martin. 01/22/2015. Check out the latest Liberty Beat on why we need internet freedom. Tags Internet. Beats of Freedom - Zew wolnosci (2010) on IMDb: Plot summary, synopsis, and more. The film includes several very colorful passages about the music festival in Jarocin - the only such place in the entire communist bloc, a rare enclave of freedom in those times - as well as staggering archival material about Poland under Martial law. Most important, however, is the music itself. BEATS OF FREEDOMor how to overthrow a totalitarian regime with home- made amplifier. Film coproduced by Adam Mickiewicz Institute. Written and Directed by: Leszek Gnoinski and Wojciech Slota. Produced by: Pawel Potoroczyn, Edward Miszczak. Executive producer: Judyta Fibigerruntime: 7. · Beats of Freedom’s director Wojciech Słota reminisces: I was ten years old when Martial Law was instated in Poland. Sources: culture.pl Presidency website. · The Cost of Freedom on Fox News Channel - follow the hosts from the Fox Business Network Saturdays from 10AM ET to 12PM ET to catch up on the week's top business. 1-16 results for Movies & TV: "Beats of Freedom" "Beats of Freedom" Cancel. Did you mean: beast of freedom. Format: Amazon Video | Blu-ray |. Freedom Beat 1988. Beats of Freedom - Poland's history of rock music and independence. Beats of Freedom - Leszek Gnoiński. Still from the "Beats of Freedom". Beats of Freedom started in Randolf, Wisconsin April 1, 2000 as an opening for a Christian drama, a college student had written for a semester grade. Participants of the Jarocin Festival. Beats of Freedom tells the story of rock music during the Communist era in the People's Republic of Poland through the eyes of Chris Salewicz, a British journalist of Polish heritage. It's a film about the sound that gave people a dose of freedom, about one of few aspects of everyday life that gave a bit of elbow room in an otherwise constrained society. Directed by Leszek Gnoiński and Wojciech Słota, the film is the first installment in the. Guide to the Poles series. The narrative traces several plots, beginning with Chris Salewicz's meeting with three individuals who were essential to the burgeoning rock music scene. Tomek Lipiński, frontman for the groups 'Tilt' and 'Brygada Kryzys', manager and journalist Piotr Nagłowski, and photographer and historian Mirek Makowski. The three recounted their stories about the meaning behind the music of those times, along with descriptions of what Poland was like life for the everyday man - all against the background of the history of the past half century. Interviews and archive materials compose a broad vision of the Polish struggle for political, social and individual freedoms. It turned out that the 'Iron Curtain' wasn't quite as impenetrable as the authorities would have hoped and a number of major acts new to the international scene made their way over from the west. Legendary bands took the stage in Warsaw and Jarocin, such as The Rolling Stones, who played two concerts in April 1. Palace of Culture's Congressional Hall - an event that became fixed in the collective musical memory for many decades following. The venue itself - an unwelcome gift from the Soviet Union - was inscribed into Rock- n- Roll folklore, taking on a more favourable aspect as its negative associations were counterbalanced by symbols of a subtly shifting reality. The venue also served as the setting for the official premiere of the film on March 1. Poland and around the world. It continued to be shown at various festivals through the end of 2. Europe and the United States. Director Wojciech Słota on Beats of Freedom: Music is everywhere.. I wake up in the morning and turn on the radio. In the car I choose out a record. Then in the shop - apparently shoppers buy more when they're surrounded by positive melodies. In the meantime, I log on to the Internet. Websites command my attention with their advertisements and sounds. I walk through the city. In the main square, someone is playing an instrument. If I had a smartphone, I could load it with my favourite tunes and set one as my ringtone. I was ten years old when Martial Law was instated in Poland. Soon afterwards, the hit list appeared and I got to know Polish rock music. Following my sisters' example, I recorded my favourite songs on the tape player. Was this the music of freedom? Looking back, I can say it was. The reality of that time gave music an incredible power. I was too young then to understand the lyrics of all the songs, but all those musical fascinations from the '8. I do today. And, after all, it's worth talking about those things that are important to us. Director Leszek Gnoiński on Beats of Freedom: In today's world of the Internet, MP3s, computer games and hundreds of television programmes, rock music has been moved into the background, becoming on of many entertainment options up for sale. Rock doesn't fight anyone anymore, doesn't fight for anything and most song lyrics by Polish artists today are jarring in their banality - making no reference to the trials and tribulations of any generation at all. This is in contradiction to the character of rock, which from the outset has faced off with stale mainstream realities of culture, politics and society - this is how it was in the '6. Rock never fought with the communist system and it was never even intended to. It described those tough times in simple, at times strong, words, although they never skimped on sharp metaphors. These songs broke through stereotypes, created bonds between young people, giving us the chance, even for a moment, to feel free. They showed that aside from the entertainment that was touted by the authorities, there was an underground movement with a life of its own, far from the political cynicism of the government and oppositional uprising. Video Interview with Director Leszek Gnoiński. Beats of Freedom. Production: Adam Mickiewicz Institute, 2. Screenplay and direction: Wojciech Słota, Leszek Gnoiński. The film is part of the Guide to the Poles series of documentary films produced within the framework of the International Cultural Programme of the Polish Presidency of the EU Council in 2. Culture. pl. 20. 11/0. Tags: guide to the polesdocumentary filmsflagship projectmusicbeats of freedom.
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